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Ages 8+. Children under 4 are not permitted. 

MJ The Musical on Broadway - NYC [23379]

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MJ The Musical on Broadway

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Michael Jackson, one of the most beloved and influential musicians of all time, chased perfection his entire existence. It's unfortunate he is not alive to witness the flawless production of <a href="https://www.newyorktheatreguide.com/show/mj-the-musical" target="_blank">MJ the Musical</a>, a model biographical musical now open at the <a href="https://www.newyorktheatreguide.com/theatres/neil-simon-theatre" target="_blank">Neil Simon Theatre</a> on Broadway.Under the exemplary direction and choreography of Christopher Wheeldon, the production gives context to Jackson's inherited demons and zooms in on his daunting creative process and peerless genius. MJ is the platinum standard the often uninspired, generic jukebox musical could benefit to emulate.&nbsp;The musical doesn't tell his full life story. The book by two-time Pulitzer Prize-winning playwright Lynn Nottage narrows in on Jackson's Dangerous Tour rehearsals in 1992 — well before allegations of child molestation charges against Jackson arose. With the Jackson estate on the production team, Nottage has fixed this musical's lens on the stories the artist told through his music. Jackson's troubled childhood, pain, and loneliness fueled creativity and inspired the lyrics he wrote.Nottage's brilliant book gives the character of Jackson depth, and Myles Frost (who plays the eldest of three MJs who share the role) embodies the musician's complex persona. With every "hee-hee" and pelvic thrust, one can almost forget they're not seeing the King of Pop before their eyes. It's not easy to sing a Jackson song or move with the late star's precision, flexibility, and finesse. Many American Idol auditions have proven this true. But here, Frost has immersed himself into the spirit of Michael Jackson, producing distinct parallels to the icon's childlike behavior, restlessness, and paranoia.Frost gives this show not only his divine voice, but also a nuanced performance that humanizes the flawed superstar. In fact, all three generations of MJ exceed expectations. Little Michael (a talented Christian Wilson at the performance I saw) and young adult Michael (a fierce Tavon Olds-Sample) work together in seamless transitions to tell the full story of Jackson's early years.Both Quentin Earl Darrington (Once On This Island), and Ayana George (Broadway debut), who play Joe and Katherine Jackson, respectively, give powerhouse vocal performances. George especially shines during "I'll Be There," an affectionate duet with Little Michael. Though one can read Katherine as an enabler to Joe's rampant physical and emotional abuse, this number gives a tender softness to her love and vowed protection of Jackson.&nbsp;Darrington also plays Rob, Jackson's trusted tour manager. The smooth and swift changes between a man Jackson fears and a man he trusts give scene transitions delicate density.Musical numbers like "They Don't Really Care About Us," "Human Nature," "Stranger in Moscow," and "Thriller" are the show's highlight reels. The numbers are filled with Wheeldon's masterful choreography, blending modern dance, Jackson's iconic moves from the 90s, and deep, soul-stirring storytelling of the artist's triumphs and tribulations. The dance ensemble delivers paramount performances that leave an imprint on the memory. This team is a true tour-de-force.In the audience, some longtime fans sang along and cried, others who never experienced Jackson live remained mesmerized, and even a few skeptics cheered thunderously. They'd gasped loudly every time Frost changed a jacket or put on the iconic bedazzled glove.Paul Tazewell's magnificent costume design carries the cast through the MJ timeline seamlessly. A killer set by Derek McLane, amplified by gorgeous lighting by Natasha Katz, gives the show a visual beauty that makes it hard to look away.While Jackson's story is flawed, it's too complicated for anyone who hasn't danced in his shoes. MJ The Musical, however, is the perfect salutation to the life of an imperfect but gifted icon.<a href="https://www.newyorktheatreguide.com/show/mj-the-musical" target="_blank">MJ The Musical is at the Neil Simon Theatre. MJ The Musical tickets will be available on New York Theatre Guide soon.</a>Photo credit: Myles Frost and the company of MJ The Musical. (Photo by Matthew Murphy)

'MJ The Musical' review — a flawless tribute to a flawed icon

MJ The Musical is at the Neil Simon Theatre. MJ The Musical tickets will be available on New York Theatre Guide soon.

MJ The Musical Review | New York Theatre Guide

The **Neil Simon Theatre** has a rich history in the heart of New York City's world-renown Broadway district. Built in 1927 as the Alvin Theatre, it was renamed after Pulitzer Prize-winning playwright Neil Simon in 1983.

The 1,445-seat venue has staged numerous high-profile and highly successful productions during its lifetime, with a variety of plays and musicals that appeal to all tastes. Its opulent interior architecture, complete with its lavish lobby and grand staircase, create a truly regal atmosphere that matches the quality of the performances on stage.

Getting to the Neil Simon Theatre is a breeze as it is located at 250 West 52nd Street. It is easily accessible via public transport with a number of metro stations, including the 49th Street Station (N, Q, R, and W lines), and the 50th Street Station (1 line) a short walk away.

If you're arriving by car, there are numerous public parking facilities nearby, such as the Icon Parking, which is just around the corner from the theatre. Regardless of how you choose to travel, arriving at the Neil Simon Theatre promises the start of an unforgettable Broadway experience.

Neil Simon Theatre - NY

Neil Simon Theatre

The Neil Simon Theatre, a 1,445-seat venue in New York's Broadway district, offers easily accessible transport and unforgettable Broadway experiences.

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Ages 10+. Children under 4 are not permitted in the theatre.

The Great Gatsby on Broadway - NYC [38749]

The Great Gatsby on Broadway

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The Broadway Theatre is one of the most iconic and popular theatre venues in New York. Located at 1681 Broadway, the theatre is home to multitude of critically acclaimed Broadway musicals and plays. Since its inception in 1924, the Broadway theatre has been a pillar of the New York theatre industry, consistently presenting audiences with captivating performances and a wide variety of shows. The theatre boasts a large seating capacity of 1765, setting it apart from other Broadway theatres. Its key defining feature, the exceptional stage size, allows for large-scale musical productions. Notable performances that graced the theatre include 'South Pacific', 'The Color Purple', 'Miss Saigon', the revival of 'Evita' and 'Cinderella'. With a unique blend of classic architecture and modern technology, the Broadway Theatre not only delivers magnificent visual appeal but also excellent acoustics and comfortable seating. This combination creates an immersive viewing experience few other venues can rival.

## How to Get Here
The Broadway Theatre is easily accessible via public transportation. It’s easy to reach by subway. You can take the C, E, or 1 train to 50th Street or the N, R, or Q train to 57th Street. Alternatively, the theatre is served by buses M104, M10, M27/M50. If you prefer to drive, there are numerous public parking lots within a short walk. Bicycle parking is also available nearby.

Broadway Theatre - NY

Broadway Theatre

The Broadway Theatre, an iconic New York venue, hosts a plethora of captivating performances and is easily accessible via various transport.

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What We Did Before Our Moth Days - NYC [45208]

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Ages 5+. Children under 4 years old will not be admitted.

Rob Lake Magic with Special Guests The Muppets on Broadway - NYC [45066]

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Maybe Happy Ending on Broadway - NYC [41018]

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Purpose on Broadway - NYC [38461]

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Ages 14+. Children under 4 are not permitted in the theater.

Oh, Mary! on Broadway - NYC [37743]

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Anna Christie - NYC [44668]

Anna Christie

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St. Ann's Warehouse is a unique and captivating theatrical venue located in the heart of Brooklyn, New York. Known for its innovative performances and avant-garde approach to theatre and art. The warehouse was originally a tobacco factory, which, in 1980, was repurposed into the cultural hub it is today. Boasting a diverse array of shows, including music, film, dance, and theater performances, it attracts an eclectic audience drawn to its experimental and unconventional programming.

Its highly flexible and spacious interior design accommodates a wide range of performance styles and setups, and it often partners with other cultural institutions to enhance its offerings and reach wider audiences. The Warehouse also engages in community-based projects and educational outreach to connect with the local community. St. Ann's Warehouse has cemented itself as a vanguard of cutting-edge performance and an important part of Brooklyn's vibrant and ever-evolving arts scene.

### How to get to the venue:

St. Ann's Warehouse is located at 45 Water St, Brooklyn, NY. Easily accessible by public transportation, the venue is just a short walk from the York Street station on the F subway line and the High Street station on the A or C lines. There are also numerous public parking lots nearby for those who prefer to drive.

St. Ann's Warehouse - NY.

St. Ann's Warehouse 

St. Ann's Warehouse in Brooklyn is an innovative theater venue known for its diverse, avant-garde performances and rich history.

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The Queen of Versailles on Broadway - NYC [41950]

The Queen of Versailles on Broadway

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Located in the heart of New York City, the iconic St. James Theatre is a testament to the magical allure of Broadway. Since its inception in 1927, the St. James Theatre has hosted many unforgettable Broadway hits, featuring stars from Ethel Merman to Hugh Jackman. The interior is a marvel in itself, punctuated by a royal color scheme, gold-leaf accents, and stunning chandeliers that encapsulate the golden age of Broadway. The theatre has a seating capacity of 1,710, allowing for a wide audience range without compromising the intimate, immersive theatrical experience. In its near-century history, the St. James Theatre has seen the debut of many Broadway classics, including Oklahoma!, The King and I, and The Producers, thereby solidifying its milestone status in Broadway history.

**How to Get to the Venue**
St. James Theatre is located at 246 W. 44th Street. It's easily accessible via public transport. If you're traveling by subway, you can take the 1, 2, 3, 7, N, Q, R, W, or S trains to Times Square. Alternatively, buses M7, M20, M42, and M104 also stop nearby. For those who prefer driving, numerous paid parking lots are available in the vicinity.

St. James Theatre - NY

St. James Theatre

The historic St. James Theatre, located in New York City, has hosted iconic Broadway shows since 1927 and is easily accessible via various modes of transport.

NY - TT - Harry Potter and the Cursed Child - Homepage Lead

Ages 8+. Under 15s must be accompanied by an adult. Children under 5 are not permitted in the theatre.

Harry Potter and the Cursed Child on Broadway - NYC [13709]

Harry Potter and the Cursed Child on Broadway

Harry Potter and the Cursed Child on Broadway - 13709 - NYC Product Media 

Today I've got magic on my mind.&nbsp;The Harry Potter kind.&nbsp;Apparently so does the rest of the world.&nbsp;After seeing this spectacular&nbsp;<a href="/show/harry-potter-and-the-cursed-child">Harry Potter and the Cursed Child</a>&nbsp;I decided to borrow a book&nbsp;from the Library.&nbsp;I have NEVER seen a book available in so many languages.&nbsp;Some of which I don't even recognize.&nbsp;But who can blame them? Don't we all want to take a couple&nbsp;of classes at Hogwarts?&nbsp;Perhaps they have some adult education offerings.&nbsp;And about the owls.&nbsp;Henceforth I want all my mail delivered by a feathered messenger.&nbsp;In addition, I got my eye on a fetching fluffy white owl just like Harry's. (Apparently there were real owls in the London production until one of them took a left turn when it should have taken a right.&nbsp;Off into the audience it flew.)&nbsp;I want IN.J.K. Rowling's writing is masterful.&nbsp;Even though this play was written by Jack Thorne, it has her finger prints all over it.&nbsp;Under the spectacular direction of John Tiffany we are included, indeed, we are beckoned, into the world of witches.&nbsp;As observers only, of course, but that is almost enough.The story is richly layered, like all Rowling tales. The grown-up Harry Potter (Jamie Parker) is married to Ginny Weasley (Poppy Miller) and still friends with the entire Weasely clan because Ron (Paul Thornley) finally got his act together and married Hermione (Noma Dumezweni).&nbsp;Both Harry and Hermione work at the Ministry for Magic (the same one that threatened to topple Dumbledore years back).&nbsp;Today they are seeing their children off to Hogwarts.&nbsp;Albus Potter (Sam Clemmett) and Rose Granger-Weasley (Susan Heyward) are first year students.&nbsp;Rose, being Hermione's daughter, is thrilled and full of all the possibilities that lie ahead - like picking the right friends immediately.&nbsp;She relishes the idea that because of her mother she is already someone.Albus on the other hand is having a not-so-good-very-bad-day.&nbsp;Just the idea of Hogwarts overwhelms Albus.&nbsp;He does not want to be the "Son of Harry Potter."&nbsp;He does not want to be anything except a hormone filled boy with a wand that should really be licensed.&nbsp;Instead, he stumbles upon another misfit, Scorpius Malfoy (Anthony Boyle).&nbsp;Together they become a team of two misfits.&nbsp;And decide to take the past into their hands.If certain events in the past are just tweaked, they reason, then the present would be in much better shape.&nbsp;Lives would be saved, etc., etc.What they don't count on is ye olde pebble tossed in the lake routine.&nbsp;One event leads to another and pretty soon everything is ass over teakettle with the Dark Lord on the loose and aimed directly at the two mischief makers.There are some serious twists and turns, of course.&nbsp;But these are almost unnoticeable in the face of the special effects that are on display for our enjoyment.&nbsp;These are not the fancy schmancy special effects, but they are spectacular.&nbsp;They are simplicity itself, made of puppetry magic and lighting that tells us exactly where to look.&nbsp;This far and no further.&nbsp;The&nbsp;shadows are teaming with unseen life that are eager to reach out and touch someone - could even be you if you are in the right seat.&nbsp;The ensemble's choreographed movements, clean, simple and unrelenting, give the entire production a physical urgency. Even the program tells you what to read and when.Ultimately this is a tale of family.A boy who lost his father grew up to be one and has misplaced his parenting manual. Harry must rely on his wife, his friends and his mentors long gone.&nbsp;In the process of recovering each other they also cross paths with the past, and we are touched when the friends (and even a few pests) show up in the flesh.My friend who attended with me is a Brit and was concerned, lest the American audience was not as hooked on the Potter legend as the Brits. He needn't have worried.&nbsp;As one witch after another produced sorcery - the audience cheered.&nbsp;As characters we had only read or seen on the silver screen appeared there were gasps of recognition.&nbsp;We were children oohing and ahhing throughout.And when it came time, after 5 hours of immersion, to say good-bye to these treasured friends (all the&nbsp;principals take their bows en masse) we stood up and cheered farewell, like the crowds used to do when a ship was leaving.&nbsp;If given our druthers we would have put on an invisibility cloak and joined them.I mean, they do live there, right?As to the child? As to the curse? I have sipped the potions and am #KeepingTheSecrets safe. &nbsp;As the complimentary pins on your way out request.Bravo, Brava, Bravastrodamus!(Photo by Manuel Harlan)<hr /><h2>What the popular press says...</h2>"Time is a dangerous toy in Harry Potter and the Cursed Child,&nbsp;the enthralling two-part play about the later life of its title wizard. Various characters in this deluxe London import find it in their power to journey into the past, which means altering the future, which means serious trouble for everyone." Ben Brantley for New York Times"There are more magic wands than you can shake a stick at in the wildly theatrical and thrilling Broadway spectacle Harry Potter and the Cursed Child." Joe Dziemianowicz for New York Daily News"The world of&nbsp;Harry Potter has arrived on Broadway, Hogwarts and all, and it is a triumph of theatrical magic." Adam Feldman for Time Out New York"Anyone still ready to dismiss&nbsp;Harry Potter and the Cursed Child&nbsp;as a cynical brand extension, or a theme-park ride on stage, clearly hasn't experienced the thrilling theatricality, the pulse-pounding storytelling vitality and the unexpected emotional richness of this unmissable two-part production. The ecstatic hype that accompanies the smash London import&nbsp;to Broadway is amply justified, and then some." David Rooney for Hollywood Reporter"This is no time for bogus expressions of sophistication. So, let's just say:&nbsp;Hooray!&nbsp;With Harry Potter and the Cursed Child,&nbsp;the Boy Who Lived has finally come to Broadway, bringing enchantment to a world that could really use a little magic right now." Marilyn Stasio for VarietyExternal links to full reviews from popular press...<a href="https://www.nytimes.com/2018/04/22/theater/review-harry-potter-and-the-cursed-child-raises-the-bar-for-broadway-magic.html" target="_blank">New York Times</a>&nbsp;- <a href="http://www.nydailynews.com/entertainment/theater-arts/cursed-child-review-wildly-harry-potter-broadway-article-1.3944034" target="_blank">New York Daily News</a> -&nbsp;<a href="https://www.timeout.com/newyork/theater/harry-potter-cursed-child-broadway-review" target="_blank">Time Out</a>&nbsp;- <a href="https://www.hollywoodreporter.com/review/harry-potter-cursed-child-theater-review-1104812" target="_blank">Hollywood Reporter</a>&nbsp;- <a href="http://variety.com/2018/legit/reviews/harry-potter-and-the-cursed-child-review-broadway-1202757827/" target="_blank">Variety</a>

Review of Harry Potter and the Cursed Child on Broadway

The Lyric Theatre is an iconic Broadway theatre located in the heart of New York City. Known for hosting some of the biggest musicals in history, it boasts a large auditorium seating 1,934 seats, split between the two main levels and two balconies. Designed by the famous architect, Victor Hugo Koehler, the theatre oozes an old-world charm with its grand interiors and attention to detail. Through the years, it has transformed into a stylistically modern venue with state-of-the-art acoustics and technological capabilities. 

**How to get to the venue:** The Lyric Theatre is conveniently situated at 214 West 43rd Street, easily accessible by public transport. By subway, the nearest station is Times Square-42nd St, served by the 1, 2, 3, 7, N, Q, R, W, S lines. If you prefer to travel by bus, routes M104, M42, M7, M20, and M27/50 all serve the area. For those driving, several paid parking areas are nearby, including facilities at Icon Parking and Edison ParkFast.

Lyric Theatre - NY

Lyric Theatre

The Lyric Theatre, a historic venue in New York, is known for major musicals. It has modern facilities and is easily accessible.

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Beau the Musical - NYC [44258]

Beau the Musical

The Distillery at St. Luke's Theatre

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Ages 8+. Children under 4 will not be admitted into the theatre.

& Juliet on Broadway - NYC [25598]

& Juliet on Broadway

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Anne Hathaway – the wife of William Shakespeare, not the Oscar-winning actress – has a message for her famous husband. In a nutshell: Your star-crossed-lovers tragedy stinks. 

That’s the start of [*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets), a slim but cheeky and eager-to-entertain jukebox musical bursting with chart-toppers made famous by Britney Spears, Katy Perry, Bon Jovi, Celine Dion, Backstreet Boys, and other pop stars.

“What if Juliet didn’t kill herself?” muses Anne (Betsy Wolfe, goofy, gutsy, and serving gale-force vocals), who convinces Will (Stark Sands) to collaborate on a rebooted story. So long, Verona and stifling parents keen on locking her up in a nunnery. Freedom awaits! Juliet (the terrific Lorna Courtney), now 22 in the revised tale, considers life on her own terms.

She makes a beeline for Paris with her nurse (Melanie La Barrie, reprising her role from the show’s London premiere), a new non-binary BFF May (Justin David Sullivan), and another pal, April – who is actually Anne. She and Shakespeare write themselves into the revision; he’s a carriage driver. Along the way, some 30 hits from the Max Martin catalog, including “...Baby One More Time,” “Roar,” and “Since U Been Gone,” knit the narrative together.

This setup happens with surprising speed and economy. The early zippy energy is a big plus. Vibrant visuals are another. Director Luke Sheppard’s staging makes great use of projections, flying set pieces, and a levitating circular platform to showcase dramatic moments and athletic dance moves by choreographer Jennifer Weber. 

There's plenty of drama in France after Juliet and company meet Francois DuBois (Philippe Arroyo), who’s looking for love, and his stern father Lance (Tony winner Paulo Szot, game but frequently upstaged by his codpiece), who shares a secret history with Juliet’s nurse.

Thanks to Will’s desire to stir the plot, dim Romeo (Daniel Maldonado, in for Ben Jackson Walker at a recent performance) pops up. The newly undead guy descends in a superdope (to borrow his term) and glitzy entrance.

The action unfolds in Shakespeare’s era, but its heart and head are all about today. Costume designer Paloma Young pairs corsets, ruffs, and doublets with chunky boots and high-tops. There’s also a shoehorn lurking in the wings. As in any jukebox musical, some tunes are wedged in, but others fit surprisingly well.

“I Want It That Way” becomes a useful all-purpose expression of desire, while “Oops! … I Did It Again” neatly covers romantic missteps. “Stronger” lets Juliet’s defiance toll. Romeo and Juliet’s conflicted feelings churn into a raucous “Problem/Can’t Feel My Face.”

*Schitt’s Creek* writer David West Read penned the story, and it’s a mixed bag. *& Juliet*'s feminist attitude and celebration of gender fluidity make it topical. Mispronunciations of Francois’s surname makes way for (groan) DeBoy band jokes. And even with the youthful exuberance, the momentum sags whenever Anne and Will spar about the narrative — and they do it a lot. 

The script looks to history (or Wikipedia?) to connect the dots between Anne, who Shakespeare disregarded, and suicidal Juliet. Creative license abounds, of course, but the script breezes over the fact that if Romeo is alive, then Juliet is still married. That puts a kink in major plot developments. In the end, the show has no fewer than three separate conclusions.

To see or not to see any or all of that as just nitpicking? Theatregoers out for a silly good time likely won’t care as they hum along with *& Juliet*.

[*& Juliet* is at the Stephen Sondheim Theatre. Get tickets to *& Juliet* at New York Theatre Guide.](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets)

*Photo credit: Lorna Courtney (center) and the cast of & Juliet on Broadway. (Photo by Matthew Murphy)*

'& Juliet' review — the Bard meets 21st-century bops in energetic pop musical

The Stephen Sondheim Theatre is a treasured gem within the heart of New York City. Located in the bustling Times Square district, it stands proudly, retaining its historical charm midst contemporary edifices. The theatre, formerly known as Henry Miller's Theatre, is deeply rooted in theatrical history, having hosted numerous Broadway classics since its inception in 1918. It boasts art nouveau architecture bathed in gentle, welcoming lights, with intricate details that add to its grandeur. A walk inside reveals a relaxing ambiance with ornamented ceilings, beautiful chandeliers, red velvet seats, and a sizeable stage that brings performances to life. Dedicated to the legendary composer Stephen Sondheim, the theatre's rich legacy continues by staging some of the most critically acclaimed plays, musicals, and performances, all enjoyed from the comfort of its 1,055 seats. 

**How to Get There** 
Stephen Sondheim Theatre is conveniently located at 124 West 43rd Street, accessible via various modes of transportation. Visitors can reach the theatre by subway, taking the B, D, F, or M train to 42nd Street/Bryant Park or the 1, 2, 3, 7, N, Q, R, S, or W train to Times Square/42nd Street. Buses M5, M7, M20, M42, or M104 also offer routes to Times Square. For those who prefer driving, several paid parking garages are available nearby.

Stephen Sondheim Theatre - NY

Stephen Sondheim Theatre

The Stephen Sondheim Theatre is a cherished historical venue in Times Square, known for its Broadway classics and art nouveau architecture.

Based on the classic 1992 film, *Death Becomes Her* the musical follows two frenemies, actress Madeline Ashton and author Helen Sharp, who take a potion for eternal youth to outdo each other once and for all — but things don't go as planned. Now the recipient of 10 Tony Award nominations.

Death Becomes Her on Broadway

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What would happen after *Romeo & Juliet* if Juliet didn't die? That's the question this pop-fueled musical, from songwriting icon Max Martin and a writer on *Schitt’s Creek*, asks. Jam out to tunes made famous by Britney Spears, the Backstreet Boys, Pink, and more.

One of the most popular jukebox musicals, *Mamma Mia!* is about Sophie's wedding, where she's invited her friends, her family...and the three men who might be her father. Sometimes, for her mother, the one who got away is also the one who shows up at the wedding.

Mamma Mia! on Broadway

Escape into a spectacular Parisian nightclub that's not just a place, but a state of mind. Feel truth, beauty, freedom, and love at the star-crossed love story of a writer and a courtesan, based on the Oscar-winning Baz Luhrmann film and packed with more than 40 pop hits.

Moulin Rouge! The Musical on Broadway

Say hello to the Tony Award-winning Best Musical by the creators of *South Park* and *Avenue Q*. The story of two Mormon missionaries who get more than they bargained for when sent to convert an African village has spread the good word on Broadway for more than a decade.

The Book of Mormon on Broadway

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Greek mythology gets a folksy, jazzy twist at this eight-time Tony-winning Best Musical. The story of the musician Orpheus's journey to the underworld to rescue his lover, Eurydice, takes on new depths of life and emotion in Anaïs Mitchell's show.

Hadestown on Broadway

A unique, contemporary rom-com that won the 2025 Tony Award for Best Musical, *Maybe Happy Ending* follows two robots who meet, connect, and maybe fall in love, getting a second shot at life after the world has deemed them obsolete.

Get *Stranger Things: The First Shadow* tickets and see the world before it turns upside down. The origin story of the hit Netflix series follows younger versions of fan-favorite characters as they deal with unusual happenings in Hawkins. Now nominated for five Tony Awards.

Stranger Things: The First Shadow on Broadway

How did the Wicked Witch of the West become wicked? This *Wizard of Oz* prequel musical explores her and Glinda the Good Witch's untold origin stories. Hear now-classic showtunes like "Defying Gravity" at Broadway's fourth-longest-running show.

Wicked on Broadway

Go on an adventure through Hogwarts and beyond with a new generation of wizards. Harry, his friends, and his son go on a time-traveling quest in this stage sequel to J. K. Rowling's books, brought to life with special effects that leave audiences of all ages spellbound.

This Tony Award-winning pop musical gives 16th-century drama a 21st-century feminist twist. The six wives of Henry VIII become a fierce girl group who take back their crowns and rewrite their histories in the style of a rousing arena concert.

SIX on Broadway

See this historical dark comedy, now nominated for five Tony Awards, about the untold struggles of Mary Todd Lincoln before she lost Abe. Get a glimpse into Mary's hidden desires and personal struggles, filtered through queer comic playwright Cole Escola's wacky mind.

A comedy about friendship and, yes, art, this Tony Award winner for Best Play follows three best buds who debate the value of one's recent purchase: a very, very expensive painting...of nothing at all.

Art On Broadway

A retelling of the Greek tragedy, Robert Icke's take on Sophocles' classic sees Oedipus and his wife Jocasta on election night, when everything is about to change.

Oedipus on Broadway

How does a show about an American Founding Father go on to revolutionize Broadway? Experience Lin-Manuel Miranda's Pulitzer- and Tony-winning hip-hop musical about how Alexander Hamilton fought, feuded, and financed his way into the history books.

Hamilton on Broadway

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Ryan McCartan and Aisha Jackson team up as literary icons Jay Gatsby and Daisy Buchanan in this new Broadway musical based on F. Scott Fitzgerald's iconic novel. Get ready for a splashy new musical that brings the Roaring Twenties to life via colorful song and dance.

Join the circle of life at this stage adaptation of the beloved Disney film, on Broadway for 25 years and counting. Awe-inspiring puppetry and timeless songs like "Can You Feel the Love Tonight" bring alive the story of a lion cub growing up to take his rightful place as a leader.

The Lion King on Broadway

Experience the story behind the King of Pop's singular career and greatest hits. The Tony-winning musical offers a deep look into his creative process and all the energy of a Michael Jackson concert, complete with more than 20 of his classic songs and signature dance moves.

A reclusive aunt and her gay nephew reunite to sort the mess left behind after a troubled father's passing.

Little Bear Ridge Road on Broadway

Wilkommen — the Kit Kat Club awaits at this semi-immersive Broadway revival. The theatre is fully transformed into the title Berlin cabaret, where the lives of the writer Cliff Bradshaw, performer Sally Bowles, mysterious Emcee, and more collide with the rise of Nazism.

CABARET at the Kit Kat Club on Broadway

Get into an Empire state of mind at this new musical featuring the songs of Alicia Keys. Inspired in part by her real-life upbringing in Manhattan, the show follows 17-year-old Ali as she finds music, her voice, and herself as she comes of age and chases big dreams.

Hell's Kitchen on Broadway

Samuel Beckett’s tragicomedy is a wonderfully confounding masterpiece that follows two people as they wait — and wait — for someone named Godot to maybe (finally) arrive.

Waiting for Godot on Broadway

The Grammy-winning, landmark Cuban album by the same-named music group is now the basis for a vibrant, celebratory musical, which has been nominated for 10 Tony Awards. Relive the Golden Age of Cuban music while hearing the renaissance of genres like son, bolero, and danzón.

You've read S. E. Hinton's book, you've seen Francis Ford Coppola's film, now see the stirring musical adaptation. Folk showtunes by Jamestown Revival give new life to the story about teenage street gangsters finding hope and brotherhood in a world that rejects them.

The Outsiders on Broadway

*Operation Mincemeat* is a four-time Tony Award-nominated musical based on the Allies’ war operation of the same name that helped them win World War II. Much more than a history lesson, the uproarious comedy is parts farce, thriller, and Ian Fleming-style spy caper.

Operation Mincemeat on Broadway

Based on the bestselling novel, *Ragtime* is a musical epic that features three fictional families as they move through a rapidly changing New York in pursuit of the American Dream.

Ragtime on Broadway

When a nerdy flower shop worker finds a mysterious talking plant, it completely changes his life — but at a bloody cost. Go down to Skid Row for the latest revival of Alan Menken and Howard Ashman's horror comedy blossoming off Broadway.

Little Shop of Horrors

The Kander and Ebb musical about murderesses-turned-overnight-celebrities has razzle-dazzled audiences for decades. With a rotating lineup of stars in the lead roles, you never know who you'll see as starry-eyed housewife Roxie, veteran vaudevillian Velma, and more.

Chicago on Broadway

*Heathers* is a musical comedy based on the cult film and follows Veronica as she tries to navigate teenage issues, first love, and three Heathers who rule the school with an iron fist.

Heathers The Musical

*Ginger Twinsies* is a hilarious send-up parodying a certain film that starred Lindsay Lohan, came out in 1998, and had all the 411 about long-lost redhead twins.

Ginger Twinsies

*Punch* follows Jacob after a whirlwind of drugs, sex, and violence leads him to prison — but also to the parents of the boy he killed, ultimately changing the course of his life.

Punch on Broadway

This new musical is based on the life of Jackie Siegel, a former Mrs. Florida and wife to an ultra-rich businessman. She’s queen of Versailles — not the palace, but her own recreation of it, which is to be the US’s largest private home. But a recession looms, and Jackie’s dreams may crumble.

It’s showtime! The ghost-with-the-most comes to life on stage in this hilarious new musical based on Tim Burton’s dearly beloved film.

Beetlejuice on Broadway

*44 the Musical* is about the US's 44th president, Barack Obama, comedically riffing on his life and story.

*Anna Christie* is the classic story of a former prostitute who falls in love, but runs into difficulty in turning her life around.

AMAZE Magic

Your wish for spectacular, magical, all-ages entertainment is granted at this musical adaptation of the Disney film. Hear timeless songs like "A Whole New World" at this story of a ruffian who, with a little help from a genie, transforms into a prince to win over a princess.

Aladdin on Broadway

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Pen Pals

Weather Girl

*The Least Problematic Woman in the World* is a five-star (Playbill) comedic solo show by Dylan Mulvaney about her Catholic upbringing, gender transition, and all that's still to come.

The Least Problematic Woman in the World

*Prince F\*ggot* is a new satire that imagines a monarchy where a ruler is as queer as the playwright: what happens when unabashed queerness and ultimate power collide?

Prince F*ggot

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*Marjorie Prime* is a sci-fi play about a future where loved ones never die: they inhabit clones, or Primes, to always be by the bereaved's side.

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